Surrounded

 

Ten years ago, on a miserable grey afternoon, I took younger daughter to the Mayfair cinema, which was opened in 1932 in Old Ottawa South, and we watched The Lady in the Van, based on Alan Bennett's play of the same name.

In case you missed it, the playwright Alan Bennett had an elderly unhoused lady living in his driveway in Camden (northeast of Regent's Park in London) for fifteen years between the mid-1970s and late 1980s.  He wrote a play about it after her death, which starred Maggie Smith, and she took the same role in the film.

Younger daughter seemed quite taken with it, but sad.  She said it reminded her of her grandmother, who, I hasten to add, was never unhoused, delusional, or hygienically challenged.  Every now and then, younger daughter took the DVD out of the library, as she did this month.

Yesterday, I watched it for the first time since my mother died.  (I'm sorry to keep bringing this up, but this is probably going to be a steady part of my life for a while, as I work through things.)

I sat through it, and despite the lack of parallels with my own mother's final years, I felt bludgeoned by the isolation, the vulnerability, and the piano-playing.  I'm told that both my grandmother and mother were proficient pianists, but never heard them play, because both flatly refused to play for an audience.

Bennett was in the process of losing his own mother at the same time he was the unwilling host to the lady in the van.  In the film, he's consulting with a doctor in Yorkshire, after his mother breaks her hip in her nursing home.  The advice the doctor gives him is almost word-for-word what the emergency doctor told me when Demeter fractured her pelvis one week before she died.

I went out for an early evening walk to recover.  When I came home, we watched the season finale of Call the Midwife, where Sister Monica Joan, in her nineties, is dying of kidney failure.

There's just no escaping it.  The reminders are everywhere, like a milder form of PTSD.