Showing posts with label words. Show all posts
Showing posts with label words. Show all posts

Saturday, 17 September 2022

The p word

When I was in Grade Two, we did a Social Studies unit on "Indians".  This was before the terms "Indigenous" and "First Nations".  I think it's safe to say that our teachers didn't know any better.

It was a time when the residential schools were still in operation, and little boys played "Cowboys and Indians".

On a special project day, we came to school dressed as "Indians".  I lived in Edmonton, so the emphasis was on Plains "Indians".  My mother fixed me up with one of my soft dolls bundled and strapped to my back.  One of the boys punched it in the face as a joke.

That's the last time I recall hearing the word "papoose".

Last night, I came across an essay on the BBC web site, under, of all things, the "Entertainment and Arts" section, presumably because the author, Mark Savage, is a music columnist. 

This piece was about the increasingly legendary Queue that stretches from Westminster Hall, where the Queen's body lies in state, to Southwark Park on the south bank of the Thames, a distance of just under five miles. 

Savage writes of the peaceful atmosphere emanating from the live telecast of the Lying in State, and says he often leaves the livestream on, while doing things around his home. He speaks warmly about the people passing through the hall on either side of the catafalque, remarking on spotting many masks.  (I've seen about half a dozen masks amongst the thousands of people, but then, I don't keep the telecast on for long periods.)

And it was when he described the many types of people passing through the great hall, that my jaw dropped to my knees: There are women in hijabs and wearing papooses... 

Click to enlarge

I was getting ready for bed at the time, and shut down the web site, feeling startled and slightly sick.  I was surprised at how upset I felt, upset enough to fumble with my phone for an official definition of this long-forgotten word. 

This seems to indicate that "papoose", as a synonym for what I called a baby sling or carrier* when the girls were infants, is mainly in use in the UK, and I recalled how, as delightful as my British rellies are, they had an unfortunate tendency to make references to "Red Indians" (cringe) and persist in calling Inuit people "Eskimos", a sidebar to their generally dismissive attitudes to Canada and Canadians. 

Still -- "papoose"??? On a BBC web site? Would they call maternity clothes "squaw-wear"? 

This morning, I texted elder daughter in London.  As a millennial who has spent much of her early adulthood correcting stone-age parental attitudes, her response surprised me:  she made the casual claim that she'd heard it used in Canada fairly often.  I sent her the dictionary definition and she seemed taken aback.

I don't, for a moment, think that Mark Savage is a red-neck, but his careless and sentimental vocabulary underscores why we've been hearing less than complimentary messages from groups wounded by things done in Elizabeth's name.

Call 'em baby slings or carriers, Mr Savage. The p-word does you no favours, and it rather ruined my evening.

*Actually, the Resident Fan Boy reminds me that we called the baby carrier by its brand-name: "Snuggli". Since I'm calling out the BBC, I feel compelled to add: many other brands of baby slings are available.

Tuesday, 3 August 2021

Seasons Bleetings

As the dog days of summer draw to a close, I suppose we could say this is Lammastide. 

Lammas Day itself was August 1st, but like Christmastide, Lammastide must surely mean the time around Lammas Day, right? 

I think about quarter days and cross-quarter days quite a bit, partially because any family historian with British roots needs to know when Lady Day is. (It's March 25th, and before 1752, it was the beginning of the new year, which makes a difference if you're looking up christening, marriage and burial dates in pre-1752 church registers.) 

However, lately, I've been thinking about Midsummer Day (June 24th). It's probably a mark of how geeky I am, that I think: Well, the middle of summer is surely early August, right? Halfway between the soltice and the equinox? Why isn't Lammas Day called Midsummer Day? This is probably why I shouldn't play Sudoku. 

Last spring, when the plague that has enveloped our planet was just getting started, the National Theatre made about a dozen of its filmed stage productions available online for about a week each. I watched each one, even the ones I'd seen in cinemas, and eagerly awaited one I'd missed -- the Bridge Theatre production of A Midsummer Night's Dream, which the NT released on or about June 24th (Midsummertide?) 

In this scene, the Rude Mechanicals are about to rehearse their fractured take on Pyramus and Thisbe, but they need to check if the moon will shine on the following evening. If you've watched this excerpt (and you should), you'll know that the evening they're checking is June 24th. (You might recognize "Mistress Quince", who directs the play-within-a-play, as Felicity Montagu, who plays "Perpetua" in Bridget Jones' Diary among other things.)

While this scene gives a taste of the humour, improvisation, and audience involvement of this production, it doesn't show half the magic of the show.  The fairies, for example, are aerial artists, or have trained extensively for the show.  The music is arranged by Grant Olding, who wrote the songs for One Man, Two Guv'nors (another National Theatre hit). Olding's delightful arrangements of the lullaby to soothe Oberon (yes - Oberon - in this production it's Titania [Gwendoline Christie] who puts her Fairy King [Chris Oliver] under the love spell) is sung by fairy Rachel Tolzman, who describes herself on social media as a trained opera singer and a champion pole dancer.  (Believe me, it explains a lot.)  The lullaby reappears later as a soulful variation, sung by a sultry torch singer  -- who turns out to be one of the most formidable of the Rude Mechanicals, as played by Jamie-Rose Monk.

Most astonishing of all is the beginning of the play, set in a dystopian "Handmaid's Tale" version of Greece, where the Amazonian Hippolyta is encased in a glass cage, facing a forced marriage to the triumphant Theseus.



I, as someone who has loved and watched MND so many times, wondered how on earth they would make the transition from fear and oppression to the light-hearted comedy, how Hippolyta and Theseus would transform into Titania and Oberon. To see how - and it really is remarkable - you can subscribe to National Theatre at Home for a reasonable rate to see this play (until, I believe, Midsummer Day 2022), and a couple of dozen other National Theatre productions.  Different recordings are added each month, and the beauty of the service is that you can return to productions time and time again - which is how I made most of my realisations about this MND, including the key to transitioning out of the rather terrifying and wildly creepy first scene: consent.

I believe the word "consent" is only mentioned in the first scene where Hermia refuses to marry Demetrius.  However the reason, we can relax and laugh is that, time and time again, there is a act of consent.  My favourite is the rather adorable moment when Bottom (Hammad Animashaun) agrees to go off with Oberon, but it needs to be seen to be appreciated.  See it.  See the other National Theatre productions available online.  (They do need to make more comedies available; we're still in the midst of a ruddy pandemic.)

Meanwhile, I may ruminate on "In the Bleak Midwinter", and how I think we really should sing it at Candlemas, which actually is the middle of winter.

I won't burden you with that, I promise.

Wednesday, 3 August 2016

Dis-maize

I'm sitting next to Demeter at the bus stop.  Rather to my despair, she's planning dinner, after a hearty lunch.

"And we can get…" She stops, bows her head in frustration.
"Can you describe it?"
"We used to call it meeli in Kenya."

My Swahili is limited.
"Honey?"
"You hold it and you bite off bits of it…"
"Corn?"
"I hate this!  I hate losing words!"

Later, I check Google Translate, which tells me that the Kiswahili word for corn is mahindi.  I check for different types of corn, different African languages dialects (there are at least five in Kenya), different spellings. Meeli doesn't come up.

Demeter is adamant.  She and her siblings called corn meeli.*

We get the corn, but it's too early and it's bitter.

(*Update:  Friend of the Right Hand tells me it's mealie, from the Afrikaans word mielie, so my mum and her family somehow got the word from South Africa, despite living in Kenya.)

Friday, 21 October 2011

Lost for words

Dictionary.com is a web site with (at least) two nifty features for word-lovers. First, they have a "word of the day" which you can have emailed, and is light-years ahead of a similar service provided by Google. (Today's word from Google is "deadpan". I ask you...) Secondly, you can save words to your account. Currently, I have forty delightful and exotic (to me) words on my "favourites" list.

However, it's been a long time since I perused my collection, and I have an uneasy feeling that my subconscious is telling me something:

dil·a·to·ry [dil-uh-tawr-ee, -tohr-ee]
adjective
1.
tending to delay or procrastinate; slow; tardy.
2.
intended to cause delay, gain time, or defer decision: a dilatory strategy.

lucubrate (ˈluːkjʊˌbreɪt) —vb (intr)
to write or study, esp at night
[C17: from Latin lūcubrāre to work by lamplight]
'lucubrator —n

pro·lix  [proh-liks, proh-liks] adjective
1.
extended to great, unnecessary, or tedious length; long and wordy.
2.
(of a person) given to speaking or writing at great or tedious length.

cacoethes (ˌkækəʊˈiːθiːz) —n
an uncontrollable urge or desire, esp for something harmful; mania: a cacoethes for smoking
[C16: from Latin cacoēthes malignant disease, from Greek kakoēthēs of an evil disposition, from kakoscaco- + ēthos character]
cacoethic
—adj

am·bi·sin·is·ter [am-bi-sin-uh-ster] adjective
clumsy or unskillful with both hands.

mump·si·mus  [muhmp-suh-muhs]
noun, plural -mus·es for 2.
1.
adherence to or persistence in an erroneous use of language, memorization, practice, belief, etc., out of habit or obstinacy (opposed to sumpsimus).
2.
a person who persists in a mistaken expression or practice (opposed to sumpsimus).

Oh dear.

Not only that, while writing the past few posts, I have missed the opportunity of using such words as "chatoyant" and "caliginous".

All is not lost. With Hallowe'en coming up, I may be able to use "horripilate"....