When I first heard the "Elizabeth Serenade", I thought it was a German folk-song.
I went to school with a girl named Antje. We weren't best friends, but friendly enough to visit each other's houses. Antje's mum, who was German, was a single mother, like mine, and I knew her from her volunteer work in our Guide troop.
I remember a visit on a sunny day. They had a small house down by Craigflower Creek, which flowed under the bridge near our school.
Antje's mum put a recording on, which began with flutes sounding rather like those in the Dance of the Reed Pipes in Tchaicovsky's The Nutcracker.
"Isn't this Beautiful?!" she enthused, teutonically.
It was certainly pretty. The feathery flutes were followed by a chorus singing lustily in German, interspersed with what sounded like aggressive handbells, a wee bit jarring, but I looked out at the water flowing by the house and listened appreciatively.
It was years until I learned that this piece was originally an instrumental (which, frankly, suits it better), composed by Ronald Binge, some time around 1951. It didn't really have a title - apart from Andante Cantabile, but when Britain suddenly found itself with a pretty 25-year-old queen in 1952, it was renamed Elizabethan Serenade.
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